Write about a time you mistook something for something else. Once I thought a person was flagging my car down in the dark, but it was a garbage bag wrapped around a tree. Today a branch blows in such a way that it looks like someone is walking past.
I had a post up a couple of months ago having to do with writing about death. Someone complained that now was no time to do that. I disagree. Death is a fact of life and cannot be ignored. From In the Palm of Your Hand by Steve Kowit. Write a poem in which you are reminded that you too will one day die. It could be prompted by something you see (roadkill) or a song loved by someone who’s passed. Talk about the objects more than your feelings. They will come through.
From The Mind’s Eye by Kevin Clark: Journey Poem. Write a poem in which you take a trip and end up in a place totally unexpected, perhaps a foreign countryside or in the throes of an exciting and/or suspenseful discovery. Tell the story while focusing on graphic action verbs.
From Western Wind, an Introduction to Poetry by Mason and Nims.Make a list of your five favorite nouns, five favorite verbs, and three favorite modifiers. Try writing a poem using all of these words in any combination.
From Writing to Awaken by Mark Matousek. Write about your relationship with routine. Are you rigidly attached to your habits? If so, which ones and why? How does attachment to routine limit your ability to be spontaneous?
This poem was featured at the fall meeting of the Poetry Society of Michigan. It was a response to a prompt from Elizabeth Kerlikowske, the current president of the organization. “Write a poem giving someone advice… It could be an extended metaphor. And fun/clever/don’t even think of rhyming.”
From girlswritenow.org contributed by Robin Church. Choose a photograph. Write a poem from the perspective of the character n it. Be sure to use details in the photo as images in the poem. Focus on creating a distinctive and and consistent voice.
Here’s an example from poet, Richard Blanco: Photo of a Man on Sunset Drive: 1914. (Full text of the poem here). Notice how Blanco describes a scene from a hundred years ago. From there, he goes on to tell us how this scene has changed. His poem is a time machine of sorts that carries us back and forth through time at the same location. This is a great way to build a poem around a photograph, going well beyond description of the photo itself.
Another technique is offered by poet and teacher, Steve Kowit in his book, In the Palm of Your Hand. He suggests a poem in three parts:
1) Describe briefly what is in the photo, focusing on just a couple of details. 2) Animate the photo by suggesting movement or other sensory input. 3) Enter the picture and interact with the objects or people in the photograph.
Here’s a poem demonstrating Kowit’s technique from The Ekphrastic Review that was written by one of our PSM members.
Try a haibun.Haibun (俳文, literally, haikai writings) is a prosimetric literary form originating in Japan, combining prose and haiku. The range of haibun is broad and frequently includes autobiography, diary, essay, prose poem, short story and travel journal. Usually the prose is in the present tense, not longer than 180 words, and the entire thing ends with a haiku I’m trying my bunkhouse piece in this format. You can find lots of info online about them. The Haibun Hut is a Facebook group where Haibun can be posted by anyone. The masters of the Haibun were Issa and Bashō. Here is one from Bashō (translation by Franz Wright):
As the freezing rain of early winter began falling desolately over everything, I sought warmth and company at a roadside inn. Allowed to dry my soaked clothes at the fire, I was further comforted for a time by the innkeeper who tactfully listened to me relate some of the troubles I met with on the road. Suddenly it was evening. I sat down under a lamp, taking great care with them as I produced my ink and brushes, and began to write. Recognizing my work, he solemnly requested that I consider composing a poem in honor of our one brief encounter in this world:
At an inn I am asked for identification traveler let that be my name the first winter rain
From Crossroads: Creative Writing Exercises in Four Genres by Diane Thiel. (textbook, 2005) Choose a place or a building that has evocative memories for you. Let your piece stay focused on the place as a “container” for memories.(I’m going to write about a bunkhouse. First line: Skunks lived under it.)