From Creative Writing by David Starkey. Write about an event in your life that is almost too embarrassing to write about, but not quite.

From Creative Writing by David Starkey. Write about an event in your life that is almost too embarrassing to write about, but not quite.

This is another fun prompt. Write a poem using a recipe as your guide. I could give you a bunch of advice, but It is possible to stir loathing into a batter of glitter and regret. Bake at 485 for six years.

From Fiction Writers’ Workshop by Josip Novakovich Describe somebody’s character by the shape, posture and gait of his body. OR describe someone’s character by how they do something. Don’t tell the reader your somebody is sad; show it. (I wrote one using the Biblical phrase “By his shower, ye shall know him.” I’m sure that’s in the Bible.)

From the Literary Hub: The 32 most iconic poems in the English language. (with links)
From Writing Poetry by Barbara Drake: Write a poem in terms of the smallest parts of a thing or entity. For example, the eye of a rabbit or lizard, a leaf bud on an apple tree; the battery in your electric watch. (I’m pretty bored by the last one.

Do you have any recurrent dreams? Write a poem in which you explore the dream in a nonrational way, meaning, don’t explain it. Be in it. Go with it. No doubt there is a message in it for you. Imply it.

From The 3 a.m. Epiphany by Brian Kitely. Write a very short story in which each sentence has one word from the previous sentence. and is a reexamination of the previous sentence and the word.Use a dictionary or thesaurus to help you keep this crab-style of writing interesting.

From The Practice of Creative Writing by Heather Sellers: Write a poem that is a list of questions. make sure each is surprising, fresh and unexpected. (Is this asking too much?) Try to include images in as many of the questions as you can. Try to steer toward questions that are in front of us every day, but that few notice or take the time to articulate. If you’re around small kids, put some of their questions in there. (I once said something to my oldest daughter, who replied, “I can’t know that yet.” And I was, like, great answer!).

From The Practice of Poetry. Write a poem in which some major change (in style or content) occurs across a stanza break. The poem should not explicate or comment on the change; it should rather absorb or reflect it. This may seem mumbo jumbo-y, but once you get going, it will make sense.

From Thirteen Ways of Looking for a Poem by Wendy Bishop: You might try a praise song of a natural environment that praises a single element, like Gerard Manley Hopkins does when he praises spotted and dappled and freckled things. You might praise elements of flying things or aquatic things. You might praise the foods (and in doing so the culture) of your youth to explore what you felt then and what you know now.
